TangOpera

Exploring the Lyric History of the Argentine Tango

 

Launching with a sell-out concert at Southbank Centre's Purcell Room as part of La Linea Festival, the TangOpera project explores the lyric history of the seductive Argentine tango, tracing its global trajectory from roots in bel canto opera and Italian canzonetta through its golden age of tango canción and Carlos Gardel, to the Argentine art songs of classical composers, Ginastera, Guastavino and Williams, and - of course - Astor Piazzolla's contemporary 'tango operita', María de Buenos Aires.

 

TangOpera showcases the unique voice of tenor Leonardo Pastore - one of Argentina's foremost singers, whose longstanding, dual career in both the opera and tango worlds has allowed him to cultivate an authentic and compelling vocal fusion of these two seemingly disparate genres.

helenglaisherhernandez.com/tangopera

 

Nina Corti performs a bespoke choreography to Granados' 'La maja dolorosa No. 1' at the National Gallery

Music in the Time of Goya

Chamber Classics Inspired by Francisco de Goya y Lucientes

 

A chamber-music celebration of the great Spanish painter Francisco de Goya y Lucientes originally curated as part of the The National Gallery's blockbuster exhibition, Goya: the Portraits, 'Music in the Time of Goya' exploring the elegant musical aesthetic of Goya's era and its intoxicating effect on the Romantic imagination of 19th-century composers such as Enrique Granados, and beyond to the 20th-century works of Manuel de Falla, Mario Castelnuovo-Tedesco and the film music of Roque Baños. A colourful programme of fiery Spanish fandangos, seguidillas and boleros alongside well-known classical favourites by Beethoven, Ravel, Scarlatti and Sor, performed by an exciting collective of leading young Iberican artists with special guest, flamenco dancer and percussionist, Nina Corti.

www.musicinthetimeofgoya.com

 

Los Angeles Duo: 'The Great Classical American Songbook'

America's Greatest Classical Melodies

 

Featuring award-winning American soprano and Juilliard graduate, Christin Wismann, this programme extends the concept of the cherished 'Great American Songbook' to encompass American lieder, showcasing some of the USA's most sumptuous classical melodies, including well-known favourites by composers such as Barber, Ives, Copland and Bernstein, as well a treasury of secret songs by Edmonds, Uqurhart and Beach.

 

'Panamericana'

Musical Border-Crossings Through the Americas

Un símbolo de paz alumbrará el vivir 
de todo el continente americano. 
Fuerza de optimismo; fuerza de hermandad...
...será este canto de buena vecindad...

LOS PARAGUAYOS

Music knows no borders...

There was a time when Americans, North and South, celebrated their shared history and collaborated towards common political and economic interests. In 1941, the American composer Aaron Copland travelled to Latin America on a diplomatic mission organised by the American government as part of the Panamericanist initiatives of Roosevelt’s Good Neighbor policy, which aimed to cement hemispheric solidarity in the face of rising European fascism. This new dialectic was embraced by composers throughout the Americas and helped to forge a renewed sense of artistic identity, producing a golden age of 'American' music that would give birth to some of the most compelling and enduring works in classical music history.

 

‘PanAmericana’ offers the perfect antidote to turbulent 21st-century politics, with a fresh take on the classical music of the New World, tracing hemispherical classical music connections from New York to Buenos Aires. The project articulates a diversity of voices from across the Americas which speak a common musical language and affirm music’s power to transcend political borders and foster cultural understanding. This kaleidoscopic programme, encompassing an eclectic range of influences, from jazz, lied, tango, opera and musical theatre to folk and film music, allows audiences to enjoy some of their all-time favourite North American music by iconic composers such as Bernstein and Gershwin alongside lesser-known gems from South of the Border by composers such as Villa-Lobos, Piazzolla, Lecuona, Chávez and Brouwer. This is music full of passion, lush tunes and irresistible rhythms.

PanAmericana premiered at Barbican's Milton Court Concert Hall in October 2017 as part of Echoes Festival, featuring Luis Gomes, Duo Diez, Los Angeles Duo, Wilmer Sifontes, Vanessa Lucas-Smith (who recently recorded the 'Calais Sessions', which facilitated musicians in 'the jungle' refugee camp in Calais to write and record music as part of an album) and Ian Anderson (former Principal Viola of the European Union Youth Orchestra), with special guest dance performances by Talentos Colombian Folk Group.

 

Omar Puente engages with the audience at Southbank Centre's Purcell Room

A 'Revolutionary' Concert

500 Years of Latin American Classical Music in 1 Hour

 

"A 'Revolutionary' Concert" premiered at Southbank Centre's Purcell Room with special guest Cuban violinist, Omar Puente and The Latin Chamber Orchestra, against the backdrop of Latin America's bicentennial celebrations of Independence.

 

Taking the audience on a kaleidoscopic journey of discovery through five centuries of Latin classical music history, this project elucidates the varied responses of Latin American composers who sought to find an autochthonous classical voice for their hemisphere. Featuring the imagined Aztec rhythms of Carlos Chávez, the sacred jungle music of the Jesuits, and the exuberant Modernism of Villa-Lobos, this dazzling programme also offers the chance to meet opera stars, Christopher Columbus, Simón Bolívar and Che Guevara, and features a subversive new commission by acclaimed Venezuelan composer, Ricardo Lorenz, for pots, pans, megaphone and audience participation.

 

Chopin in the Caribbean

19th-Century Antillean Piano Music

‘Chopin was Cuban.’

Paquito D’Rivera

How might Chopin’s music sound if the composer had been born in the Caribbean? Whilst Chopin never crossed the Atlantic (the closest he would ever get to a tropical island would be a sojourn on Mallorca in 1838-9), his influence on the ebullient classical music scene of the 19th-century Antilles was superlative. At a time when many Latin Americans were fighting to achieve independence from Europe, Chopin offered an enticing model of musical nationalism with which they could construct new identities. These hybrid, colonised cultures identified with Chopin’s exiled condition; as Chopin sought refuge in the Polish folk melodies of his mazurkas, so did Caribbeans embrace local valses, danzas and contradanzas into their works. The last and most famous of these Caribbean Romantics, the virtuosic Cuban pianist-composer Ernesto Lecuona (1895-1963), would himself come to be known as ‘The Chopin of the Caribbean’.

 

This event was commissioned for Echoes Festival 2017 to commemorate the 2017 anniversaries of two great figureheads of Romantic Antillean music: Cuban composer Manuel Saumell (1817-1870), and from the Caribbean mainland, Venezuelan composer Teresa Carreño (1853-1917). It featured pre-eminent Latin American pianists Clara Rodríguez and Gustavo Corrales Romero, both leading exponents and international ambassadors of this unique repertoire, performing a colourful programme blending Romantic lyricism with authentic, toe-tapping rhythms, including music for 4 hands by Lecuona, Saumell, Gottschalk, Cervantes, Statius Muller, Lamothe and - of course - Chopin!

 

Venezuelan composer Antonio Estévez (1916-1988)

'¡Viva Venezuela!'

Homage to Antonio Estévez

 

Helen joins forces once more with pre-eminent Venezuelan pianist Clara Rodríguez, soprano Amaia Azcona and actor William Roberts in a vibrant programme of Venezuelan chamber music to mark the 2016 centenary of Antonio Estévez, one of the most important Venezuelan composers of the 20th century and a leading light of the Parisian-Venezuelan avant garde. Estévez's work is a revelation within contemporary music, standing out for its rare beauty and profound originality. It is heard here alongside music by his compatriots Modesta Bor, Inocente Carreño, Antonio Lauro and Ricardo Lorenz. Commissioned for Echoes Festival 2016.

 

Still Life with Parrot and Fruit (1951), Frida Kahlo (1907-1954)

'¡Comamos y bebamos!': An Edible Concert

Musical Tapas from Spain and Latin America

 

Two things Latino culture is perhaps best-known for: music and cuisine. Music meets gastronomy in this colourfully unique chamber programme which offers an opportunity to sample the fiery musical flavours of Spain and Latin America. With several, mouth-watering musical courses on the menu, audiences can savour the spicy sounds of Mexican home-cooking and Brazilian street food; imbibe the spiritual ritual harvest music of the Andes; overindulge in some Argentine drinking songs; feast on lavish Medieval Spanish carnival villancicos; and partake of some foot-tapping timba with generous lashings of salsa music on the side - served hot. With music so good you can almost taste it, this event really works up an appetite - it functions best in combination with drinks receptions, post-concert buffets and sit-down dinners.

Originally commissioned by Canning House as part of their Botany & Gastronomy series, featuring Helen alongside Andy Morton, James Pearson, Lizzie Ball, Ahmed Dickinson and Carlos Fuentes.